Film Review: Helicopter Eela, Kajol's Fim Let Down Audiences

Film Review: Helicopter Eela, Kajol

Film Review: Helicopter Eela, Kajol's Fim Let Down Audiences

New Delhi: Kajol's new movie Helicopter Eela released today and gave audiences a big disappointment. Pradeep Sarkar's Eela Helicopter in which Kajol is in  tutiral role is an undeniably well-intentioned family entertainer. But the film does not clear the subject. The story-line is unconvincing, vapid treatment and overly hammy acting. Helicopter Eela is a massive letdown.

Co-produced by Ajay Devgn, the film aspires to be a synthesis of a musical of sorts and an emotional mother-son dramedy. But the lack of wind in its rotors prevents it from lifting off the ground and flying forth. It hovers drearily, and in predictable ways, over a mollycoddling mom who not only peeves her teenaged son no end but also puts her own life and career on hold. The film labours the point about a single parent's relatable predicaments but fails to impart sustained momentum to the message.


Tale of a women who is in her 40's and misses her chance and then after a long time she gets a chance to find herself scrambling to make up for lost time should have been a watchable, if not rousing, affair. It isn't because of the insipid and contrived situations she is thrown into and the bizarre reasons that are thought up for the ever off-putting turns that her life takes. In the role of a mother who is bent upon smothering her college-going son with more attention than the latter craves, Kajol swings between the excessively exuberant and the crazily cantankerous. The tonal missteps completely mess up Helicopter Eela, adapted from a Gujarati play written by Anand Gandhi. The lead actress is left with too high a mountain to climb. Not that Kajol isn't up to the task. She certainly isn't low on energy. However, a little less enthusiasm might have helped make the character more nuanced and rounded.

Also Read: Helicopter Eela: Kajol And Nysa's Happy Faces Says About Last Night

Director Pradeep Sarkar has lucked out with his heroine. Kajol is full of verve, and her enthusiasm is infectious even when her intensely eager character comes across as too chirrupy. She is embraced as a singer and applauded by stars of the 90s, all playing themselves, from Baba Sehgal and Mahesh Bhatt to Ila Arun, who is struck by the coincidence that this Eela has a husband named Arun. One day, Arun gets superstitious about a statistic and loses his head with paranoia, leaving Eela and their young child to fend for themselves.

The idea of Kajol being too boisterous for a library is easy to accept, and the actor takes the role seriously enough to make Eela believable. The film doesn’t work as hard, with college students using volumes of the World Book for research, and a young man with a thickly Bengali accent playing Eela’s half-Maharashtrian, half-Punjabi son. In a throwback to Kuch Kuch Hota Hai’s infamously unplugged electric guitars, Kajol even conquers a stadium with a song without needing a microphone. This Mommy may not know best, but she sure knows loudest.

The problem with Helicopter Eela is that it allows the drama to trump its comic potential. A little more wit and humour and a little less earnestness might have given the film the wings it wants. After a disappointingly predictable and patchy two hours, the climax, too, does little to help the audience forget the trudge up until this point.

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