Movie Review: Shoojit Sircar's 'October' is a film for all seasons

Movie Review: Shoojit Sircar

New Delhi:  Today film ‘October’ has released. October is directed by Shoojit Sircar. It features Banita Sandhu & Varun Dhawan. In a film where everything that could possibly wrong for the characters, does go wrong, there is almost nothing that the director does that can even remotely be considered wrong.

Shoojit Sircar understands and empathizes the pulse of the working class, their fears, and anxieties. In "October", it is death and mortality that bind the characters in a clasp of compassion, not in any obvious way. But in the way, the universe conspires to keep the world from falling apart.

Read More: Movie Review: Baaghi 2- It Is More A Two-And-A-Half-Hour Stunt Show

The plot about an obdurate seemingly obnoxious hotel-management trainee played with wilful gusto by Varun Dhawan, who decides that the quiet shy colleague Shiuli who has gone into a coma has some kind of a bonding with him.

Varun Dhawan's Dan simply lives on the idea of love, extolling its idealism to a point where his existence is defined by one casual 3-worded question that Shiuli asked her colleagues before she slipped into a long coma.

The scenes in the hospital that follow, the distress of Shiuli's family of mother, sister, brother and an insensitive uncle, is so cogently mapped in the narrative I could almost hear the sound of my own heart pumping as I walked in that hospital lobby with Dan.

Varun Dhawan's deep understanding of what makes a character as seemingly overbearing as Dan bring out his sensitive side navigates the film's simple elegant structure through a maze of life-transforming experiences which convey the unexpectedness of life as it suddenly swerves into death.

Read More:  Movie Review : Raid - A One-Dimensional Tale That Joints On A Weak Plot

Deep down, "October" is a resolutely original exposition on love as defined by the rites of mortality. This is a deeply meditative melancholic drama filled with resplendent visuals of trees shedding leaves and flowers almost as if they were crying over the loss of love. The narrative is denuded of all elements of hysteria and melodrama. 

Studied and yet spontaneous, Shoojit Sircar's outstanding grip over his narrative and characters is reinforced by the camerawork (Avik Mukhopadhyay) which celebrates the pulsating allure of Nature and Life while all around us, things fall apart and mortality seeps into our soul.

Support Our Credible Journalism By subscribing to dailyaddaa. For the latest news on dailyaddaa, like us on Facebook and follow us on Twitter